Cubism – Picasso’s artistic genius translated into graphic design by Cooper and Kauffer
Cubism is one of my favorite forms of art. In fact Picasso is one of my favorite artists. My father actually looks like Picasso at times too. When I look at the some contemporary uses of cubism, I think of our national park badges and emblems, and the CNN LVE symbol as I watch the news at the time of my writing this blog. Examples are below.
Cubism was a born from the work of Pablo Picasso. Picasso genius of interpreting his cultural ancestors art and tribal art was a natural derivative of his environment and his influence of the impressionistic artists such as Cezanne. As with all artists when they surpass the basics some have genius moments that move their work beyond the ordinary. The influence of Picasso cubic art form created the genesis for Cubism graphic design. This work influenced many artists even to today’s artists and graphic designers. Then as Cubism was developing a few graphic designers to reflect on are: A.M. Cassandre, Joseph Binder, Austin Cooper and Edward McKnight Kauffer. Cassandre’s and McKnights work was paramount in leading a change in post WWI graphic design of cubism. They blended geometric design, streamlined design and zigzag approach with decorative carry over of the art deco trend using less realism in design and drawing of images. Both used a spatial design and organization of symbolic images and objects with type or lettering bring about a composition that was compelling.
Austin Coper used cubism in his London Underground (subway trains) posters leveraging cubic shapes and rhetoric and color. For example, the posters stating that is cooler or warmer underground used bright primary colors to drive underground usage. Red cubes for warmer and blue to emphasize a cooler environment. The artistic shapes of multiple cubes in various positions and sizes are exploding upwards from the base of the poster is genius giving the illusion of temperature transfer. A photo of Austin Cooper is next to his poster for using the London Underground.
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Another poster by Cooper attempted to get patronage to be smart riders by using creative type in basic colors in cubic form, as shown in the “Help the conductor” poster from 1940’s. I like this one as it was very important from riders to keep moving through the underground as the underground was used in the evenings as sleeping quarters for many Londeners during WWII. Another WWII poster is celebrating the flags of Allied Nations, this is a very interesting poster, as cubism s about geometric shape, which flags are natural rectangles and of primary colors, but the structure of the poster is interestingly a “U” shape. Does this translate into “UNITED” in your mind?

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Edward McKnight Kauffer work was obviously similar, yet I think his style was more industrial in some cases but very geometric and sharp oriented and laden with the basic colors of and a lot of black and white and negative space to make the objects pop off the page. This is based on the posters I reviewed online. For example his posters for American Airlines air travel to visit California was a women on a beach with a ball. Colors used in the poster were blue, red and tan, diagonal type and bold words, shaped geometric font, and big blocks of tan and blue and a red ball. .


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1 Forgotten London Underground posters - Telegraph
www.telegraph.co.uk400 × 640Search by image
It is Warmer Down Below; by Austin Cooper, 1924
2. Artist: Austin Cooper - Poster and poster artwork collection ...
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Artist - Austin Cooper. Artist Details. Collection of London Transport Museum
3. http://flashbak.com/22-amazing-edward-mcknight-kauffer-book-covers-32704/
“Help the conductor” - London Transport poster by Austin Cooper, 1942 by mikeyashworth on Flickr.
4 Poster Parade | London Transport Museum
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They shout for joy, they also sing – Flags of Allied Nations, 1944, Austin Cooper
5. American Airlines,Kauffner
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http://flashbak.com/22-amazing-edward-mcknight-kauffer-book-covers-32704/
Kauffner